"Counter Culture: NYC’s Greatest Diners & Luncheonettes," Photographed by James and Karla Murray
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Go inside the "spellbinding collections of the great illusionist" on the 100th anniversary of his death!




All Photos Courtesy of Abbeville Press
Harry Houdini (1874–1926) was not only a great magician but a great collector. Every corner of his townhouse at 278 West 113th Street in New York was filled with books, pamphlets, prints, clippings, playbills, and photographs documenting the history of magic and theatrical performance. “It would cost fully a million dollars to forge the collection of evidence now in my hands,” Houdini wrote in 1908.
A few years earlier, his hopes for a fine history of magic were dashed as he read Thomas Frost’s The Lives of the Conjurers, allegedly riddled with errors. He determined to write his own history, one based in evidence, and thus began his immense theatre collection that would, at the time of his death, rival those at Harvard and the British Museum.
Eric Colleary is the author of Houdini’s Library, and the curator of the newly opened exhibition at the Harry Ransom Center in Austin, where much of Houdini’s library is preserved. This volume traces the growth of the legendary illusionist’s collections throughout his career and illustrates hundreds of his treasures—many for the first time. Given the ephemeral nature of these materials—posters scraped from siding, playbills tossed in the trash—much of what Houdini gathered exists nowhere else.
Dr. Eric Colleary is a curator, historian, and writer who has spent more than two decades bringing the stories of theatre, performance, and popular culture to life. As Curator of Performing Arts at the Harry Ransom Center at The University of Texas at Austin, he has organized award-winning exhibitions that uncover how performance shapes and is shaped by history, and his work has been featured in major national outlets.
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